CONCERT BODY -Small body with lower bout width of 372mm(14 21/32″) and upper bout width of 280mm(11″), 91mm(3 9/16″) x 106mm(4 3/16″) body depth gives ideal resonation of each and every note played. ART DECO STYLED DESIGN -Thanks to Frank Gambale’s dedication on designing of the guitar, the instrument designed based on modern Art Deco influence. SOLID ADIRONDACK SPRUCE TOP -Stronger and denser than Sitka spruce, the Adirondack spruce is characterized by broad dynamics as well as articulation and smoothness at high volume. The elastic tactile response suits both aggressive strumming and precise flatpicking. Adirondack spruce bracing further sets apart the unique sound and response of this exceptional wood. Famously used on the sought-after vintage Martin dreadnaughts of the 1930’s, the difficult-to-source Adirondack spruce is the crowning feature of this model at a most reasonable price. L.R.BAGGS EAS-VTC ELECTRONICS -Known for its natural sound, the L.R. Baggs system is elegantly simple with only Volume and Tone controls. The guitar’s solid top and back’s acoustic resonance is fully picked up by the preamp and conveyed in a totally transparent manner to an amplifier or the PA system. FLAMED BLACKWOOD BACK & SIDES -Blackwood is like a combination of the low-mids of mahogany, the brightness of maple and the rich overtones of rosewood. This versatility makes blackwood stand out for both fingerstyle playing or strumming as well as being a perfect match for the spruce top. EBONY FINGERBOARD & BRIDGE -A very strong and dense wood, ebony provides a tight and coherent low-end with enhanced mids. The jet-black imparts class and a luxurious look.